3,668 Royalty-Free Audio Tracks for "29 Steps In Equal Temperaments"

*Difference between 29:16 (B♭) & 9:5 (B♭) on C = C (Ben Johnston's notation). Just: 145 : 144 = 11.98 cents. Limit: 29-limit. MIDI pitch bend: 107,67

Piano Sonata No. 29 in B-flat Major, Op. 106 Hammerklavier: III. adagio sostenuto

36-tet scale, or sixth-tone (1200/36 = 33.33 cents) scale, on C. MIDI pitch bend appears to match intervals.

*Beta scale step on C. (3 : 2)1/11 : 1 = (4 : 3)1/8 : 1 = 64 cents. MIDI pitch bend: 54,84 on PU

9-tet scale on C. MIDI pitch bend matches intervals.

Delta scale step on C. (16 : 15)1/8 : 1 = 13.97 cents. MIDI pitch bend: 61,68

13-tet scale on C. MIDI pitch bend correct for intervals.

23-tet scale on C. 1200 cents/23 = steps of 52.17 cents. MIDI pitch bend matches intervals.

*4 steps in 17 equal temperament on C = E♭ (Easley Blackwood's notation). Equal-tempered: 24/17:1 = 282.35 cents. MIDI pitch bend: 45,58

*6 steps in 17 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/17:1 = 423.53 cents. MIDI pitch bend: 68,71

*Gamma scale step on C. (3 : 2)1/20 : 1 = 35.1 cents.

*5 steps in 17 equal temperament on C = D♯ (Easley Blackwood's notation). Equal-tempered: 25/17:1 = 352.94 cents. MIDI pitch bend: 120,48

14-tet scale on C. MIDI pitch bend matches intervals.

*Eight-hundred-forty-first harmonic on C = A♭+. Just: 841:512 = 859.15 cents. Limit: 29-limit. MIDI pitch bend: 118,50

*Four-hundred-ninety-third harmonic on C = B. Just: 493 : 256 = 1134.53 cents. Limit: 29-limit. MIDI pitch bend: 6,75

*Three-hundred-nineteenth harmonic on C = E♭↑. Just: 319/256 = 380.90 cents. Limit: 29-limit. MIDI pitch bend: 113,57

*Two-hundred-sixty-first harmonic on C = C+. Just: 261:256 = 33.49 cents. Limit: 29-limit. MIDI pitch bend: 91,74

*Six-hundred-ninth harmonic on C = E♭+. Just: 609/512 = 300.36 cents. Limit: 29-limit. MIDI pitch bend: 14,64

*Twenty-ninth harmonic on C = B♭. Just: 29/16 = 1029.58 cents. Limit: 29-limit. MIDI pitch bend: 59,73

*Five-hundred-fifty-first harmonic on C = D♭. Just: 551/512 = 127.09 cents. Limit: 29-limit. MIDI pitch bend: 85,72

*Greater 29-limit quarter tone on C = C. Just: 29:28 = 60.75 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 56,83

*Six-hundred-sixty-seventh harmonic on C = E+. Just: 667/512 = 457.85 cents. Limit: 29-limit. MIDI pitch bend: 65,82

*Seven-hundred-twenty-fifth harmonic on C = F♯+. Just: 725/512 = 602.20 cents. Limit: 29-limit. MIDI pitch bend: 90,64

*Nine-hundred-fifty-seventh harmonic on C = B↑♭. Just: 957/512 = 1082.85 cents. Limit: 29-limit. MIDI pitch bend: 65,58

*Three-hundred-seventy-seventh harmonic on C = B♭. Just: 377/256 = 670.10 cents. Limit: 29-limit. MIDI pitch bend: 55,54

*Seven-hundred-eighty-third harmonic on C = G+. Just: 783/512 = 735.44 cents. Limit: 29-limit. MIDI pitch bend: 43,75

*Four-hundred-thirty-fifth harmonic on C = A+. Just: 435/256 = 917.85 cents. Limit: 29-limit. MIDI pitch bend: 90,69

Major chord on C in 17 equal temperament (0,6,10).

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

*Thirteen quarter tones (minor fifth) on C = G. Equal-tempered: 213/24:1 = 650 cents. MIDI pitch bend: 0,80 Preceded by:File:Eleven quarter tones on C.mid

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Diatonic scale on C in 17 equal temperament. Steps: 0, 3, 6, 7, 10, 13, 16, 17. MIDI pitch bend matches intervals.

*256 tone = 1 step in 768-tet on C. Equal-tempered: 21/(6*128):1 = 1.56 cents cents. MIDI pitch bend: 64,32 on m2 The 1023rd subharmonic is 1.69 cents, and Sibelius's pitch bend commands are not fine enough to distinguish between these two intervals, as is human perception.

Ives quarter tone fundamental chord.

20 steps in 72-et on C: 333.33.

*10 steps in 13-et on C = ??. Equal-tempered: 210/13:1 = 923.08 cents. MIDI pitch bend: 49,71

*2 steps in 13 equal temperament on C = ??. Equal-tempered: 22/13:1 = 184.62 cents. MIDI pitch bend: 9,59

*26 steps in 31-et on C = ?. Equal-tempered: 226/31:1 = 1006.45 cents. MIDI pitch bend: 8,66

*2 steps in 23 equal temperament on C = ??. Equal-tempered: 22/23:1 = 104.35 cents. MIDI pitch bend: 50,65

*10 steps in 11-et on C = ??. Equal-tempered: 210/11:1 = 1090.91 cents. MIDI pitch bend: 11,61

*2 steps in 11 equal temperament on C on C = ??. Equal-tempered: 22/11:1 = 218.18 cents. MIDI pitch bend: 104,69

*Lesser 29-limit quarter tone on C = C♯ (Ben Johnston's notation). Just: 30:29 = 58.69 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 100,82 on PU

*29-limit seventh tone on C = C (Ben Johnston's notation). Just: 58/57 = 30.11 cents. Limit: 29-limit. MIDI pitch bend: 81,73

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

*10 steps in 17 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 210/17:1 = 705.88 cents. MIDI pitch bend: 113,65

*2 step in 17 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 22/17:1 = 141.18 cents. MIDI pitch bend: 23,77

10-tet scale on C. MIDI pitch bend matches intervals.

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 27-29 September 1928

*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69

Klaviersonate Nr. 29 B-Dur op. 106 Hammerklavier - I. allegro